I just finished a piece that I’m very excited about, and as a fellow (and much admired) painter put it – Making an Art Joke. It is an art joke, and also dropping a big heavy anvil clue as to one of the artists I’ve drawn a great deal of inspiration from over the years. So much so, it crept into my psyche to the point where I wasn’t even thinking about it consciously as this piece progressed, up until it was a chuckle over how obvious it was. That is why I decided to just chuckle to myself, have fun painting, and stick a floating rock in the background. The rock is from Rene Magritte’s “La Bataille de l’Argonne” (The Battle of Argonne), and I relished in getting to have something of a conversation with him during this “master copy” inserted into my own work.
This idea for this piece was born in a PetSmart. I was browsing languidly to buy a food bowl, and stopped to look at the beautiful tiny birds for sale, and was struck by their gorgeous coloring and stripes. I took a bunch of photos deciding to paint one of them. I’d been thinking about making a painting exploring and weighing the concepts of Free Will vs The Law of Causality. This is a topic that has haunted me since college philosophy classes, which spun me around and pulled me in two directions at once while I struggled to blend the two ideas into something I could live with. As I age, I keep leaning more and more into Causality being the responsible party for our lunch choices and more, tugging at the strings of our hearts with a cold firm grip. But let’s keep it light, shall we?
Originally, I decided the live bird would represent Free Will and a stone bird to represent The Law. I thought about this for a long time before even sitting down to sculpt the stone bird (which turned out a little derpy to be honest, so the painted stone bird does not resemble the prop I made) for my model to hold during the photo shoot. The model is my friend Katrina, someone who works tirelessly to help those around her, supporting and building up her community of artists and volunteers.
I think my favorite part of the entire painting, to be honest, was solving the puzzle of painting lots of little braids. I still think they look a bit like dreads (which I’ve painted before and adored every moment), but I’m happy enough with the results. I had to figure out both the color and the application technique – darks down first, then mid tone, then highlights. Solving this was vexing at first, but as it started to click things flowed smoothly, and the experience was joyful. A lot of my painting time is trying to solve problems and failing! I go through a long list of what doesn’t work before finding something that does. The most vexing part of the whole piece was the clouds – I painted them several times, and now have a photo file of cloud reference photos, because making them up didn’t work out quite how I wanted. My clouds will evolve to be certain, needing a lot more practice! But those are fluffy and floaty and do fine for this piece. There will be more clouds in the future. Finally, I really enjoyed the flesh tones recipes I used here, but think next time I paint these wonderful tones I will use the limited pallet to develop more broken up color. The colors here are off a base of yellow ochre, cad orange, b. sienna plus titanium white, with the reminder that lead whites make for less chaulky mix.